For over 20 years, Epiphany has published literature that guides readers toward unexpected revelation. Learn more about us and the writers we publish.
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Becoming an Odd Woman
On the train back to Grand Central, the city itself did not feel enough for me. I longed for the presence of another human being—a person I can touch, feel, and shelter with—to save me from the coming isolation of the second wave.
The Forbidden Labyrinth: On “The Name of the Rose” as a Video Game
The Abbey of Crime offers none of the playful indulgences of the arcade…As Delcan explains, "there were plenty of games of immediate gratification and this was clearly not one of them."
Reading as a Form of Protest
Imagine a society where we had empathy for those with opposing views. Imagine a society where we read more and fought less.
Fight or Flight: On Adrian Piper and the Escape to Freedom
For Piper, race was always a conscious affiliation, not an essentialist identity. […] Throughout all of this, Piper seems to have organically arrived at an understanding of race that aligns with its actual definition—a social construct rather than a biological fact.
Self-Discovery Through Honor Moore’s “Our Revolution”
My own mother died years ago, and, similar to Honor Moore’s experience, she left me her journals, letters, essays, and notebooks filled with quotations and existential pondering. Like Moore, it took me years to fully unpack the boxes, a decade slipping away before I gathered the courage to read it all front to back and try to make sense of my mother’s life.
Where Does the End of Policing Begin?
The End of Policing took an old debate of the left—that the current policing system is systemically prejudiced and that it is up to communities, not police, to reconsider a more just system of public safety—and organized it into a comprehensive argument for mainstream America.
The winners of the 2026 Breakout Prize are Nico Amador in poetry, selected by Cynthia Cruz, and Imogen Osborne in prose, selected by Alexandra Kleeman.