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Nothing Without Intention: on Writing with Solange’s “When I Get Home”
“Refrains like ‘we were down with you, down with you, down with you’ extend beyond the bounds of normal chorus and invite a particular mode of listening that engages the logic of mantras—sound as vibrational soothing.”
What We’re Reading Now: Embracing Jenny Odell’s “How to Do Nothing” During Shelter-in-Place
“By preventing myself from thinking about how to do more with my day or why I hadn’t accomplished as much as so-and-so—by ‘doing nothing’—I constructed a new framework of what mattered to me.”
Carrying Our Fear
I found myself tensing in crowded places and in groups of loud teenagers, until Paris passed from curfew into our second confinement. Now my mind is over-packed with thoughts of isolation, injustice, and the upcoming election.
Germany in 1932 versus the US in 2020: Germany Puts the Clock Back
“It’s in making note of the variety of seemingly timeless strategies used by rising authoritarian regimes to create fissures in the foundations of democratic governments that cause them eventually to crumble.”
On Metonymy and Myth
The phenomenon that is “Trump” is a manifestation of patriarchal whiteness—the ghost still animating imperial and post-colonial machines—and its present incarnation carries the force of State violence to compel its attendant vision.
The winners of the 2026 Breakout Prize are Nico Amador in poetry, selected by Cynthia Cruz, and Imogen Osborne in prose, selected by Alexandra Kleeman.