For over 20 years, Epiphany has published literature that guides readers toward unexpected revelation. Learn more about us and the writers we publish.
Use our A-Z index to explore a few themes:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
The Ways In Which We Borrow
There is trouble on the street tonight. Had a premonition that she should not go alone. She caught me stealing once when I was five. I enjoy stealing. It is as simple as that. It is just a simple fact. Because mutiny on the bounty is what we are all about. We are going to board your ship and turn it on out.
Brian Evenson’s Staggering Ventriloquism
The author of over two dozen books of fiction, criticism, and work in translation, Brian Evenson is a master of many languages, tones, voices, and forms. His work renders the distinction between“literary” and “genre" fiction trivial.
Two Novels, Fat and Thin: Keith Gessen’s “A Terrible County” and Ryan Chapman’s “Riots I Have Known”
To further the comparison between the two texts, certain thematic valences notwithstanding, Chapman’s debut is an all but negative image of Gessen’s sophomore effort—disjunctive where Gessen’s narrative is straight ahead; knowing and bawdy and essentially unconcerned with portraying human relationships at any great length.
Christian's Wasp
I’m lying in bed listening to the sound of wasps gnawing at my windowsill.
It’s Saturday.
Sunlight sprawls sleepily across my pillow.
Smile, America
America prizes smiling. Companies in client-facing industries have been known to circulate “service with a smile” policies, which require workers to feign happiness, if necessary, to please customers.
Upstate Dispatch: Six-Six Meadow Avenue
The first house I ever worked on with my father was a farmhouse with syringes and beer cans ground down deep in the yard. It was my job to rake them out so as not to ruin the mower. But I ruined the mower anyway when a live shotgun round went off and bent the blade. In response, my father handed me a scythe.
The winners of the 2026 Breakout Prize are Nico Amador in poetry, selected by Cynthia Cruz, and Imogen Osborne in prose, selected by Alexandra Kleeman.