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Upstate Dispatch: Ye Olde Paint Smithy
I laugh too hard, for too long. Maybe owing to the fumes. Or perhaps owing to what my lawyer said. That this lawsuit could go for up to a year. Or longer even.
Lynn Steger Strong on Bette Howland: Stories Straight from Life
Too many stories teach us, my friend said to me the other day as we walked aimlessly around the city, that we’re all supposed to be heroes of our lives. He blamed capitalism. Perhaps too easy a foil in 2019.
Monster's Bat
As the only mammals that can fly, they are often
imagined as something not-quite-mammal,
a species dancing in the liminal space
between bird and rodent.
The Abyss Munches Back: On Martin Amis’ “Invasion of the Space Invaders”
The cover of Martin Amis’ Invasion of the Space Invaders: An Addict’s Guide to Battle Tactics, Big Scores, and the Best Machines really sets a tone.
Benjamin Finally Arrives: On “The Storyteller Essays”
Why is the art of storytelling dying out? The collection comprises thirteen pieces of diverse form and audience that nonetheless share a thematic lineage.
Why Do Women Always Have to Come Out Clean?: A Conversation Between Sophia Shalmiyev and Jeannie Vanasco
The shape of violence lives invisibly inside of a woman. Now, the narrator is sharing a sliver of that burden with the perpetrator, and they are both wearing it, or are about to, publicly: she as the author; he, as a man with a pseudonym who has willingly submitted to being interviewed by the woman he wronged when she was a girl.”
The winners of the 2026 Breakout Prize are Nico Amador in poetry, selected by Cynthia Cruz, and Imogen Osborne in prose, selected by Alexandra Kleeman.