For over 20 years, Epiphany has published literature that guides readers toward unexpected revelation. Learn more about us and the writers we publish.
Use our A-Z index to explore a few themes:
Seeing Myself as the Villain
The City We Became isn’t simply a jarring attack on white privilege, it’s a necessary nudge towards reality…By inverting white savior tropes, Jemisin shows how systemic advantages have weakened cities while diversity remains their strengths.
An Excerpt from “The Lost Daughter”
“The beach was empty, the water calm, but on a pole a few meters from shore a red flag was waving.”
The Factory
“In the factory—she had immediately understood—overwork drove people to want to have sex not with their wife or husband in their own house… but there, at work, morning or afternoon.”
Greenwood’s Strings
I’ve never had an office, apart from the sad, windowless closet I occupied as a grad student. I don’t own a desk. Some days I work at my kitchen table, but more often I sit on my couch or in bed with my computer on my lap. Music, rather than location, is what grounds me as I write.
Introducing: Music for Desks
“By describing how the practice of writing interacts with the act of listening to music, the essays in “Music for Desks” aspire to a similar magic. These pieces will be exploratory in nature—in all senses about process, rather than result.”
Yom Kippur, Bushwick
Like my ancestors before me
at the five and dime on Moore Street:
a desperado Jew heads east.
◉ Bulletin Board
Stay tuned for our upcoming issue, out this December.