For over 20 years, Epiphany has published literature that guides readers toward unexpected revelation. Learn more about us and the writers we publish.
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Respite in the Macabre: On the Horror Genre
It is as if by submerging yourself in a horror story, you will be unmade, but you can also re-emerge, different than before, if you choose. The overused adage is true: we imagine horrors in order to cope with real ones.
The Princess of China
“He said this as he stumbled around their single-room apartment, kicking at the loosened leg of the bamboo chair, slapping her mother when she tried to take away his bottle. “
Ways of Seeing and Being Seen
Bonnie Chau reflects on being Asian-American, the ideas and motivations of representation and visibility, the Amanda Gorman translation debate, and translating out of whiteness.
Light Years: Reading Proust & Growing Up
“The universe has been listening to my conversations, threading everything together. It began last April, when I picked up Swann’s Way for the third time in ten years.”
The Epiphany 10: An Interview with Mitchell S. Jackson
I think it’s important not to be tone deaf about the current cultural climate. But I think there’s a difference between being tone deaf and playing a tune that people want to hear as a way of courting public approval.
The winners of the 2026 Breakout Prize are Nico Amador in poetry, selected by Cynthia Cruz, and Imogen Osborne in prose, selected by Alexandra Kleeman.