“Pentheus in the Mirror” & “Mnemotechnical Fire”


Pentheus in the Mirror
Duncan Slagle
 

Pentheus in the Mirror

The boys made a list
of prettiest girls & featured
my name at the bottom. As a joke, while boyish;
plump with guilt in glass & bad solutions to save

my shape. I tried duct tape; wearing a small
to redistribute weight. As a joke, I layered
six uniform shirts
& praised the pounds

of cloth suffocating me into easier breath.
My heft summed up by the quick stroke
of ink, thin as a pinky probing the throat.
The list grew as I did; stretched into dangerous

fabrics. Flashy in drag for practice—one night—
until the habit clings until it isn’t a habit.
I crossed my name out with a widow’s flair
for theatrics—the list of boys fuzzing with mold

in my mind’s compact mirror. Should I pretend
the desire was new? The list of girls I still
want to be is mental.
I’ll never write the names

down. I pin men to
my wall & stare so hard
through them, my eyes spin, until I’m dancing
flawless in the right gown. Erasing the chalk

outline into a glutted moon’s worth of light.
Boy is an orbit I throw myself out of, into
the endless question—how can I believe
the desire will ever be answered? If costume

is flesh, I starve off season & come back
famous for my wasting. Technician: Magician:
Tyrant editing herself with violence—alternative
to death I choose catharsis—the weight of

every jaw slacking as I enter the room. 


Mnemotechnical Fire

[  ] will ask when you started 

to remember the specifics. 

Describe the obvious furniture: 

Chair; rug; bare mattress; Jesus 

floating & nailed next to the 

poster for Passion of the Christ

Details feel redundant; to search 

the same room again & again 

& again with eyesight only 

weakening since—. Too old 

to forget the beige; the gray 

wood bludgeoned into some 

comfortable shapes for resting. 

Here is where the terror sleeps 

while you’re gone for the day; 

waiting to welcome you back 

into a house of bone & cushion. 

You fast long enough to forget 

recipes for turning wine to blood. 

Some bodies sweat out memory;

while your mind affords whatever

helps you sleep tonight. Here are 

pairs of hands making puppets

for your child-self to despise— 

dolls with skin translucent as

tracing paper, mouths powered 

by storms of divine cruelty.

Sure, it’s predictable to mention 

the crown of thorns, or, the child

who says yes, yes, yes to want— 

using men to try & erase the men

before. Memory circling the skull; 

digging roots into the skin, until

the door catches fire & the rest 

of the room follows in flames.

You don’t know who the house 

belongs to after his face glows

then turns to ash on the wall 

just that it’s your time to leave

as soon as the nails begin to melt.

 

A note from the poet:
"I wrote “Pentheus in the Mirror" while I was reading several different translations of Euripides’ Bacchae and reflecting on my adolescent experiences with gender deviance, specifically as a fat person. The notion of “costume as flesh” stems from Anne Carson’s Bakkhai, and the questions of (in modern terms) gender performance + presentation she elucidates, which Euripides’ tragedy involves in much subtler ways.”

Duncan Slagle

Duncan Slagle is a Queer poet and performer studying Ancient Greek and Creative Writing at the University of Wisconsin-Madison as a First Wave scholar. Duncan’s poems have appeared or are forthcoming in The Adroit Journal, Palette Poetry, BOAAT Journal, Vinyl Poetry, Hobart, The Shallow Ends, and others. Duncan currently lives in Athens, Greece.

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