“Waiting Ghazal,” “Beauty Talk” & “The Other End of ‘Have You Eaten’”

 

Waiting Ghazal

Waiting Ghazal
Asa Drake

Once, you told me about two kinds of time.

Consecutive time which extends a grievance and concurrent time which saves time.


Today I planted beans

as a way of waiting for something else, concurrent time.


Wait for enough things at the same time,

and every action becomes an effect.


Taking off a necklace. Watching a YouTube video on car repair. Drinking tea with jam

we made this spring, when you told me that I just need a little more time.


I'm embarrassed to tell you about completely ordinary days. Layering jasmine flowers

on a bed of oil, curing tomatoes for a salad, baking perfectly square loaves of time.


You taught me the universe has no edge, just a soft horizon,

like a bed ruffle. I was young and unforgivable, how I never visited while you served time.


You explained endlessness while holding a throw pillow, saying, This is not a model for the universe.

Promise, forgiveness, punishment: words I try not to say in relation to time.


I no longer tell you I must lean over the abyss to feel awe.

It is August. I am full of anticipation.


Beauty Talk

Beauty Talk
Asa Drake

It’s not that appearances are deceiving, it’s that they are unavoidable.

My mother sends me to her best friend to be mistaken as a face she loves.

Once, the three of us prepared our faces at a single vanity. I was young then.

Boudoir pillows, so feathered I could not lift them. That summer, we lived

in this friend’s pool house and went to her parties on Sunday nights.


I want to write everything in the present tense.


The way women I love have practical applications for beauty and ask me to

practice basic forms.


Which woman was it, who braided my hair?


My mother and her friend were getting ready for another party when I

overheard that it's okay to marry a good man because he is good and nothing

else. There was shame in the friend’s voice. The two of them were passionate

people. They knew the gossip of their times. Whose ex laid bare in a

cornfield til morning. Who begged to be dropped in the river. Who seduced

the seminary student while having a toddler in tow. I did not understand the

shame of an ordinary life. I was the toddler and seduction for my mother was

simply speaking.


The Other End of Have You Eaten

The other end of have you eaten
Asa Drake

When we were little, my cousin

and I split into stories. Malakas

and Maganda. We stuck

to our virtues. In our thirties now

we give away the best food.

A woman points to a muscle

and says, this one. Every few minutes

I know what to do with my body.

Then, my country fires chemical weapons

at the border. A brother I’ve never met

calls me the enemy. He misses the job

he never had at the call center

my cousin worked until

she started teaching judo

at the local college. After yoga

I pretend to bypass my whiteness

while it carries me into enemy

territory. Not unlike the relatives

who say they'll die from MSG.

Which sounds aggressive.

Asa Drake

Asa Drake is a Filipina/white poet in Central Florida. She is the author of Maybe the Body (Tin House, 2026) and Beauty Talk (Noemi Press, 2026), winner of the 2024 Noemi Press Book Award. Her chapbook, One Way to Listen (Gold Line Press), is the winner of a 2023 Florida Book Award. A National Poetry Series finalist, she is the recipient of fellowships and awards from the 92Y Discovery Poetry Contest, Storyknife, Sundress Publications, Tin House and Idyllwild Arts. Her poems can be found on The Slowdown Podcast, The American Poetry Review, and Poetry Daily.

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French Tarot on the Credenza