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Edmund White 1/6/26 Edmund White 1/6/26

“Bloody Murder” & “Looking at Rubenstein”

I like the look of old, liver-spotted hands
Playing Rachmaninov with complete agility
Pounding out the chords or whispering the pianissimi

Sarah Bridgins 7/7/22 Sarah Bridgins 7/7/22

Company, Man

“…maybe Company can’t be updated.”

Yoshiko Teraoka 4/5/22 Yoshiko Teraoka 4/5/22

Between the Desert and the Pool

White Zombie, returning home, and grief.

Evan Silver 3/1/22 Evan Silver 3/1/22

Music For Desks: Big Science

The radical promise of Laurie Anderson’s Big Science.

Christopher Notarnicola 11/16/21 Christopher Notarnicola 11/16/21

Music for Desks: The Sound of Nerves Strummed

Maybe I’m still working from a place of collective composition toward a singular voice, trying to derive one true chord from that old cacophony. The steel strings went slack—too much tension over too much time.

Christopher Santantasio 10/5/21 Christopher Santantasio 10/5/21

Music For Desks: How Deep They Lay

“In hindsight, I see the event as strange, a random act of violence from which no lesson can be drawn.”

Arden Levine 8/16/21 Arden Levine 8/16/21

I’ll Lay Down the Highway: (Virtual) Travels with Joni

“So, I fashion from her missteps a different kind of compass, revealing where a teller of stories should tread compassionately, inquisitively, conscientiously—or not at all.”

Bonnie Chau 8/5/21 Bonnie Chau 8/5/21

Taking a Turn in the Garden State

“I wondered if I was the one who had taken a funny turn. One can take a turn for the worse or the better. But taking a “funny turn” is ambiguous and enigmatic. I wondered what the original Italian phrasing was for this.”