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Confronting death: in Cynthia Weiner’s “The Watcher,” a woman attempts to confront her mother’s corpse alongside a perverted old man; in Douglas Rogers’s “The Bait,” a farmer sees his survival mirrored in an antelope; and in “The Minuteman,” Joel Hinman explores a family’s reconciliation on a train platform.
Confronting death: in Cynthia Weiner’s “The Watcher,” a woman attempts to confront her mother’s corpse alongside a perverted old man; in Douglas Rogers’s “The Bait,” a farmer sees his survival mirrored in an antelope; and in “The Minuteman,” Joel Hinman explores a family’s reconciliation on a train platform.
