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Nothing is ever as it seems: in Chris Iovenko’s “Moth Before a Flame,” a boy mistakes limerence for love and sacrifices his dignity; in Toby Tucker Hecht’s “Sway,” a woman discovers a mysterious couple dancing in the woods; and in Makombo Tshionyi’s “The Waif,” a man loves his son and time runs in reverse.
Nothing is ever as it seems: in Chris Iovenko’s “Moth Before a Flame,” a boy mistakes limerence for love and sacrifices his dignity; in Toby Tucker Hecht’s “Sway,” a woman discovers a mysterious couple dancing in the woods; and in Makombo Tshionyi’s “The Waif,” a man loves his son and time runs in reverse.
